Nathaniel Wilson
Up
The Cinematographer
Nathaniel Wilson initially
studied painting at the University of California, San Diego. After a
year abroad at the Accademia di Belli Arti in Venice, Italy, he changed
his major to film. Wilson saw filmmaking as a way to combine all the
art forms he loved - painting, music, literature and drama. He was captivated
by the cinematography on Blue Velvet, Apocalypse Now, and
The Big Combo.
Wilson says that he has
been influenced by working on camera crews with such directors and cinematographers
as David Lynch, Jonathan Glazer, Malik Sayeed, Tony Kaye, Sam Bayer
and Harris Savides. He is currently rated as a second assistant cameraman
in the Guild. Wilson says he is concentrating on nurturing his ability
to light in more intuitive and organic ways, and working with filmmakers
who are willing to experiment.
The Film
Up is about the battle
waged within ourselves - the battle between different parts of our personalities.
It reveals the struggle between the Dreamer, the Realist and the Doubter.
The film was produced in 35mm format in standard Academy aperture (1.85:1
aspect ratio). With the director's similar background in painting and
visual design, Wilson and the director paid close attention to shot
design, achieving texture through film grain, sets and costumes, as
well as color schemes to reflect the characters' mental states. Up
won the Directors Guild of America (DGA) Student Film Award in 2001
and is slated to tour the festival circuit in 2002.

Nathaniel Wilson
and John C. Flinn III, ASC
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